If you would like a 1 inch external border, that can be done for no extra charge and increases the paper size by 2 inches each way (for example, an 8x10 image with 1 inch external borders will be printed on 10x12 paper). If you would like a particular image size, no border, or a larger border (1/2 inch or 1 inch), please send a request and most adjustments can be accommodated at no extra charge. Please note that since these are vintage images, they do not always conform exactly to the standard paper sizes - this means some images will have a slightly larger white border on two sides to allow the image to fit with no cropping (the paper size stays the same, but if an image is more narrow or short than the closest standard paper size, the borders will be slightly larger on two sides). To flatten rolled prints, they can be laid out under a stack of heavy books. Rolled prints are packaged around the outside of a tube and then bubble-wrapped and placed inside a long box - this is because the thick fine art paper cannot be rolled tightly enough to go inside the tubes without causing damage to the paper. Prints may be shipped either flat or rolled, depending on size.
Shipping is USPS First-Class with tracking, and orders over $35 in the United States ship free. Processing time before shipment is 1-3 business days. Although custom requests are welcome, please note that the print sizes are listed to the largest possible size for each image.
Awa tsireh posters full#
The image scans used are high resolution and printed at full quality.
These are fine art prints, not cheap posters - produced with the highest quality inks, thick matte paper, and Giclee (museum quality) printing method. Awa Tsireh, a student of Elizabeth Willis DeHuff, was one of the earliest fine arts painters from San Ildefonso Pueblo which lies 22 miles north of Santa Fe, the state capital of New Mexico and the Southwest's center for artistic invention in the first quarter of the 20th century. Pueblo Indian painter Awa Tsireh developed an art of subtle resistance in the 1920s, when Pueblo culture was being persecuted by the Office of Indian Affairs and exploited by tourists and anthropologists. Stretched canvasses do not include added hanging hardware, but can be hung directly on a wall by resting the top of the wood stretcher frame on nails. Canvas Giclee prints are on 5/8" wooden stretcher bars with white edges (image does not wrap around edge of frame, but fits front dimensions perfectly). ***Also available on stretched canvas in the 8x12, 11x16, 12x18, 16x24, or 20x30 sizes.
Awa tsireh posters professional#
Printed with a professional Giclee printer on Somerset Velvet 100% cotton rag fine art paper with archival pigment inks. The son of distinguished potters, Awa Tsireh translated geometic pottery designs into stylized watercolors that feature the ceremonial dancers and practices of. See the last paragraph of this description for more available border options.*** Smaller prints (3.5x5, 4x4, 4x5, 4圆) will be sent without borders unless requested otherwise.
***1/4 inch white borders are used for prints 5 inches and larger unless requested otherwise - this means the image will be set 1/4 inch within the exact paper size listed above. Among his descendants are Richard Martinez, Awa Tsireh and Maguel Martinez, all of whom are represented in this exhibition.Giclee fine art print reproduction from antique illustration by Pueblo Indian artist Awa Tsireh of a Thunderbird or eagle.ĥx7 or 8x12 or 10x15 or 11x16 or 12x18 or 16x24 or 20x30 paper size. Of signal importance are Maude Oakes' renditions of Jeff King's interpretations of the Navaho legend, "Where the Two Came to Their Fathers," a primal drama that sustained the tribe for centuries.Īlso featured are the works of many of the descendants of Crescincio Martinez, the first major Pueblo artist who died in the flu epidemic of 1918. These prints confirm Begay's reputation as a keen observer who is able to capture the very essence of the horses, deer and birds that he depicts. The works capture the importance that members of both tribes place upon natural phenomena, ceremonies, equestrian figures and mythical and exotic animals.įeatured in the show are four prints by Harrison Begay, probably the best known Native American painter. Viewed together, these prints constitute an arresting testimony to the rich diversity of work produced in and around Santa Fe since the pioneering work of Elizabeth De Huff and Dorothy Dunn after World War I. This exhibition features more than 60 prints and paintings that capture the mythos of the Navaho and Pueblo tribes. Their art is not so much personal art as it is communal expression that teems with symbolic overtones and essences. Both the Navaho and Pueblo artists have gained wide recognition for their mastery of varied artistic media and their ability to capture the spiritual and religious perceptions of a people.
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